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                <text>E Knobel (author)&#13;
Jeff Papineau (photographer)</text>
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                <text>&lt;em&gt;Fresh-Water Fishes of New England and Those Ascending the Streams from the Sea&lt;/em&gt;</text>
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                <text>&lt;span style="font-weight: 400;"&gt;This plate shows the now-extinct Michigan Grayling. This fish was once so abundant in Northern Michigan that a town was renamed “Grayling” in its honour, and a commercial train line specialized in bringing folks “up north” to fish for the Grayling in Michigan streams. Unfortunately, by the 1930s, the Michigan Grayling was extirpated due to overfishing, habitat loss, and the introduction of non-native species. Another title in this exhibition, Hallock’s &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Fishing Tourist&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, first brought the Michigan Grayling to the attention of anglers only 25 years earlier.&lt;/span&gt;</text>
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&#13;
Like many cookbooks, this I.O.D.E. volume opens with a poem. Its last two lines are frequently repeated in community cookbooks:&#13;
&#13;
We may live without poetry, music and art&#13;
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We may live without friends, we may live without books—&#13;
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&lt;em&gt;The Moon: Considered as a Planet, a World, and a Satellite&lt;/em&gt; by British scientists James Nasmyth and James Carpenter raises questions about the role that photographs play in circulating knowledge. The book’s photographs offer a likeness of the moon, and circulated knowledge about the moon’s surface, but what the pictures record was not the moon at all. Based on observations through the telescope, Nasmyth and Carpenter created plaster models of the moon’s surface and then photographed the models under precise lighting conditions. The results are certainly photographic, recording an &lt;/span&gt;&lt;a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/what-is-photography"&gt;indexical&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; relationship to their subjects, but, to what extent do they deliver the type of truthful image that we commonly expect of photographic images?&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The photographs included in the volume were created by the &lt;/span&gt;&lt;a href="https://www.youtube.com/watch?v=cOqsaCu-_yw&amp;amp;feature=emb_title" target="_blank" rel="noopener"&gt;Woodburytype process&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;, which records a wider range of tones than many other photomechanical processes. A full scan of Nasmyth and Carpenter's &lt;em&gt;The Moon&lt;/em&gt; is available through the &lt;a href="https://archive.org/details/moonconsideredas00nasmiala" target="_blank" rel="noopener"&gt;Internet Archive&lt;/a&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;Astronomical photography &lt;span style="font-weight: 400;"&gt;has changed dramatically since the nineteenth century. To see more recent examples, explore the &lt;a href="https://images.nasa.gov/" target="_blank" rel="noopener"&gt;NASA Image and Video Library&lt;/a&gt;.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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