22
10
1404
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Photographies
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Daguerreotype of Mrs Morrow
Date
A point or period of time associated with an event in the lifecycle of the resource
[1850]
9.0 x 8.0 x 1.4 cm
in cataloguing queue
Description
An account of the resource
<p><span style="font-weight: 400;">This portrait of Mrs Morrow provides an example of one of the first successful photographic technologies: the </span><a href="https://blog.scienceandmediamuseum.org.uk/find-out-when-a-photo-was-taken-identify-daguerreotype-photography/" target="_blank" rel="noopener">daguerreotype</a><span style="font-weight: 400;">. The </span><a href="https://www.youtube.com/watch?v=hPkJicTLonA&list=PLH_FfjHEuvR5U0Ur8rB35fezQ1yZkShMk&index=3" target="_blank" rel="noopener">daguerreotype process</a><span style="font-weight: 400;"> created a single positive image on a metal plate</span>—meaning that there was <span style="font-weight: 400;">no negative and no possibility for further reproduction. A </span>daguerreotype<span style="font-weight: 400;"> is a unique and precious material object, and therefore quite different from the technologies of photography that we know today. </span></p>
<p><span style="font-weight: 400;">Daguerreotype exposures took a long time, with the precise amount of time depending on the available light. Sitting for a photograph was an arduous process, as the <a href="https://artgallery.yale.edu/collections/objects/55519" target="_blank" rel="noopener">French caricaturist Honoré Daumier has shown</a>, </span><span style="font-weight: 400;">which is why it is rare to find smiling faces in early photographs. </span></p>
<p><span style="font-weight: 400;">A print published in December 1839 in Paris entitled “<a href="https://www.getty.edu/art/collection/objects/46529/theodore-maurisset-la-daguerreotypomanie-daguerreotypomania-french-december-1839/" target="_blank" rel="noopener">La Daguerreotypomanie</a>” (Daguerreotypomania)</span><span style="font-weight: 400;"> dramatizes the excitement that ensued following the announcement of Louis-Jacques-Mandé Daguerre and his partner Nicéphore Niépce’s discovery. The artist, Théodore Maurisset, visualizes streams of people lining up to get their portraits taken. The excitement surrounding the daguerreotype stemmed at least in part from its accessibility in comparison to painted portraits. </span></p>
<p><span style="font-weight: 400;">Mrs Morrow might never have expected to have her portrait painted in her lifetime. We do not know who she was, but that her likeness survives into the present offers proof that her identity was important to someone, and worth preserving. To consider how the possibility of creating photographic portraits shaped memory and identity, compare this </span>portrait<span style="font-weight: 400;"> of Mrs Morrow to </span>chromolithographic portraits<span style="font-weight: 400;"> of the <a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/item/3032">Emperor and Princess of Prussia</a>, published in 1855.</span></p>
<span style="font-weight: 400;">Another photographic process was developed around the same time as the </span>daguerreotype<span style="font-weight: 400;"> by <a href="https://www.sfmoma.org/watch/sun-pictures-henry-fox-talbot-and-first-photographs/" target="_blank" rel="noopener">William Henry Fox Talbot</a> in Britain. The </span><a href="https://www.youtube.com/watch?v=v2zXypdzB8A&list=PLH_FfjHEuvR5U0Ur8rB35fezQ1yZkShMk&index=3" target="_blank" rel="noopener">calotype</a><span style="font-weight: 400;"> did produce a </span><a href="https://kodakdigitizing.com/blogs/news/history-of-negative-photography" target="_blank" rel="noopener">negative</a><span style="font-weight: 400;">, and therefore had the potential to create endless copies, but the resulting image was not as clear as that of the </span>daguerreotype<span style="font-weight: 400;">. To compare the </span>daguerreotype<span style="font-weight: 400;"> to the </span>calotype<span style="font-weight: 400;">, consider Mrs Morrow’s portrait side by side with the work of Scottish photographers <a href="https://www.nationalgalleries.org/art-and-artists/features/hill-adamson" target="_blank" rel="noopener">David Octavius Hill and Robert Adamson</a>. </span>
Creator
An entity primarily responsible for making the resource
photographer unknown
portrait
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Photographies
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Glimpses of Winnipeg
Date
A point or period of time associated with an event in the lifecycle of the resource
1900
18.0 x 23.0 cm
FC 3396.37 G46 1900
Description
An account of the resource
This souvenir book from Winnipeg provides a good example of the <a href="https://archive.artic.edu/stieglitz/photogravure/" target="_blank" rel="noopener">photogravure process</a>.
Creator
An entity primarily responsible for making the resource
photographer unknown
-
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79763ff3928a0a893212ada08b710821
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5dc3095208d3528480ab1151b09cd790
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Photographies
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Souvenir Cards
Creator
An entity primarily responsible for making the resource
Jeff Papineau (photographer)
Description
An account of the resource
<span>A selection of the snapshot albums housed in Bruce Peel Special Collections.</span>
Date
A point or period of time associated with an event in the lifecycle of the resource
2021
digital photograph
uncatalogued
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Photographies
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Palmyra
Date
A point or period of time associated with an event in the lifecycle of the resource
1960s
6.5 x 9.5 cm
TR 790 P36 1950z
Description
An account of the resource
<span style="font-weight: 400;">These photographs of Palmyra, Syria, are printed as glossy </span><a href="https://www.nga.gov/research/online-editions/alfred-stieglitz-key-set/practices-and-processes/gelatin-silver-prints.html" target="_blank" rel="noopener">silver gelatin prints</a> <span style="font-weight: 400;">and were likely taken with a hand-held camera and </span><a href="https://blog.scienceandmediamuseum.org.uk/celluloid-and-photography-part-1-celluloid-as-a-substitute-for-glass/" target="_blank" rel="noopener">celluloid film</a><span style="font-weight: 400;">. Despite this use of twentieth-century technologies, the photographs follow a tradition of travel photography dating back to at least the 1850s, when French writer <a href="https://www.metmuseum.org/art/collection/search/287194" target="_blank" rel="noopener">Maxime Du Camp</a> visited and photographed the sites in Egypt, Nubia, Palestine, and Syria. Like Du Camp’s earlier photographs, these <a href="https://hyperallergic.com/623729/the-getty-return-to-palmyra/?utm_campaign=daily&utm_content=20210223&utm_medium=email&utm_source=newsletter" target="_blank" rel="noopener">photographs of Palmyra focus only on ancient sites</a>, leaving out any traces of the modern world that brought travellers and cameras to these sites. </span>
Creator
An entity primarily responsible for making the resource
photographer unknown
-
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4ce2570a4d1d3880f65ac0d047e525c4
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Photographies
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The White Pass and Yukon Route Souvenir Cards
Date
A point or period of time associated with an event in the lifecycle of the resource
1900
8.7 x 6.2 cm
F 905 W65 1900
Description
An account of the resource
This deck of playing cards acts as both a souvenir and an advertisement for the White Pass and Yukon route. Each card features a different picture.
Creator
An entity primarily responsible for making the resource
photographer unknown
-
https://omeka.library.ualberta.ca/files/original/6884ec1883f1b69bb317d6fefd948cf7.jpg
1cae00a89e7f9b1e8cc564cd6b4ef55b
https://omeka.library.ualberta.ca/files/original/7a7000959844d9773481baf9e1e9f7ad.jpg
479e1e4ffac855eecd4557a970548f4a
https://omeka.library.ualberta.ca/files/original/458d7b567dbe5219ece4d6c5b4b65207.jpg
cd0c791ed03fcc722b885fe1be8d2169
https://omeka.library.ualberta.ca/files/original/3fb9ff431a4e373f7b36fb763cc4098d.jpg
e6caf327f326fc92bf64c20012c8a325
https://omeka.library.ualberta.ca/files/original/f1a2b54858f0d8d7a1854399092c93ed.jpg
a5529de33887f409e081ce36bd1a9314
https://omeka.library.ualberta.ca/files/original/3336ebba29f57b68adea7a3da25844b9.jpg
f7ace66c1f6cb4f0d3cfd21d39ff4432
https://omeka.library.ualberta.ca/files/original/e287f59e76fe4c86c4461955cd407b28.jpg
6562ca1a6cd9fea957079feb5d1defbd
https://omeka.library.ualberta.ca/files/original/3573ee26d2fc8a0c12ce9e72feee206d.jpg
ccfa40867fc15dcb97da1e3d8c816c28
https://omeka.library.ualberta.ca/files/original/ba132299f5238b518d062d72969821f2.jpg
2bb7cea538de589b36dbcd5d55075a74
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Photographies
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ancient York
Date
A point or period of time associated with an event in the lifecycle of the resource
[1920]
6.6 x 8.4 cm
DA 690 Y6 A63 1920z
Creator
An entity primarily responsible for making the resource
Valentine & Sons (photographer)
Description
An account of the resource
These "real photographs" of York are similar in format to the photographs of <a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/item/3107">Melrose Abbey</a>, though these were published by the <a href="https://www.nationalgalleries.org/art-and-artists/artists/james-valentine" target="_blank" rel="noopener">Valentine company</a>, a commercial photographic firm based in Scotland.
-
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104d1abfca6b8327b14b8bbe3fb945e5
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cdb1f5b267b5c9684b1746863c6cc3d6
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6b302022163b60162eb385f5dafffe23
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Photographies
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Album of Medical Students
Date
A point or period of time associated with an event in the lifecycle of the resource
1920s
13.5 x 20.0 cm
FC 3234.2 P732 PE001555
Description
An account of the resource
This album includes photographs of medical students at the University of Alberta in the 1920s. One page of the album shown here features two photographs taken in the university's Anatomy Laboratory, where men in white lab coats appear to be having fun while posing with a model of a human skeleton.<br /><br /><span>This album is part of the </span><a href="https://bpsc.library.ualberta.ca/collections/prairie-ephemera" target="_blank" rel="noopener">Prairie Ephemera Collection</a><span> housed in Bruce Peel Special Collections.</span>
Creator
An entity primarily responsible for making the resource
photographer unknown
-
https://omeka.library.ualberta.ca/files/original/d437498372da0100f1d31777993396ee.jpg
dd06599124072a20bd75eb02ce6c8355
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Convocation 1942
Source
A related resource from which the described resource is derived
University of Alberta Archives
UAA-1979-051-260
Rights
Information about rights held in and over the resource
Public Domain
-
https://omeka.library.ualberta.ca/files/original/47e13a193afb90ae629b5f0a9ab38709.jpg
476cce97524caf5a202bac79b69be4ff
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
House Committee in Residence Standing in Hallway, 1927
Source
A related resource from which the described resource is derived
University of Alberta Archives
UAA-1969-097-630
Date
A point or period of time associated with an event in the lifecycle of the resource
1927
Rights
Information about rights held in and over the resource
Public Domain
-
https://omeka.library.ualberta.ca/files/original/a9c7b1f46ff6bc3e732c6dc9624eba81.tif
b35a19189f894e18dcb0aba1f5202455
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Frosh Week
Source
A related resource from which the described resource is derived
University of Alberta Archives
UAA-1973-024-012
Date
A point or period of time associated with an event in the lifecycle of the resource
1949
Rights
Information about rights held in and over the resource
Public Domain