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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This series of postcards from the collection of the Museum of Decorative Arts in Prague provides a striking example of the transition from &lt;/span&gt;&lt;a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/works-of-art/1900-to-1950"&gt;Pictorialism&lt;span style="font-weight: 400;"&gt; towards&lt;/span&gt; straight photography&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; among twentieth-century photographers. The postcards were issued in 1973 to accompany the exhibition &lt;em&gt;Personalities of Czech Photography&lt;/em&gt;, and feature work by Czech photographers of the 1920s and 1930s such as &lt;/span&gt;&lt;a href="http://tallisphotography.weebly.com/jindrich-styrsky.html" target="_blank" rel="noopener"&gt;Jindrich Styrsky&lt;/a&gt;, &lt;a href="https://www.idnes.cz/kultura/vytvarne-umeni/jiri-jenicek-se-dockal-prvni-samostatne-vystavy.A010831_095623_vytvarneum_kne" target="_blank" rel="noopener"&gt;&lt;span&gt;Jiří &lt;/span&gt;Jeníček&lt;/a&gt;,&amp;nbsp;&lt;a href="https://www.getty.edu/art/collection/artists/1717/jaromir-funke-czech-1896-1945/" target="_blank" rel="noopener"&gt;Jaromír&amp;nbsp;Funke&lt;/a&gt;, &lt;a href="https://www.icp.org/browse/archive/constituents/jan-lauschmann?all/all/all/all/0" target="_blank" rel="noopener"&gt;Jan Lauschmann&lt;/a&gt;, &lt;a href="https://www.getty.edu/art/collection/artists/1645/jaroslav-rossler-czech-1902-1990/" target="_blank" rel="noopener"&gt;Jaroslav&amp;nbsp;Rössler&lt;/a&gt;, and &lt;a href="https://www.getty.edu/art/collection/artists/1484/frantiek-drtikol-czech-1883-1961/" target="_blank" rel="noopener"&gt;Frantisek Drtikol&lt;/a&gt;.&amp;nbsp;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;Many of these postcards offer unique perspectives by playing with the light, shadows, and geometric forms found in city streets. The city is familiar yet also made strange due to these unique perspectives, calling to mind &lt;a href="https://www.metmuseum.org/toah/hd/phsr/hd_phsr.htm" target="_blank" rel="noopener"&gt;Surrealist photographers&lt;/a&gt;, some of whom were inspired by French photographer &lt;a href="https://www.metmuseum.org/toah/hd/atgt/hd_atgt.htm" target="_blank" rel="noopener"&gt;Eugène Atget&lt;/a&gt;.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These reprints of John Heartfield’s &lt;/span&gt;&lt;a href="https://www.tate.org.uk/art/art-terms/p/photomontage" target="_blank" rel="noopener"&gt;photomontages&lt;/a&gt; &lt;span style="font-weight: 400;"&gt;show one way that photographs circulated political knowledge. Heartfield reused and remixed images printed in the German mainstream media in order to expose and critique Nazi propaganda. One example of this kind of print media can be found in &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;a &lt;a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/item/3142"&gt;cigarette album&lt;/a&gt;&lt;/span&gt;&amp;nbsp;that celebrates Adolf Hitler’s life.&amp;nbsp;&lt;/p&gt;&#13;
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