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                <text>&lt;span style="font-weight: 400;"&gt;This album documents an annual inspection trip from Montreal to Victoria taken by the CPR’s chairman, president, and directors. It provides another example of the ways photography circulated knowledge about places, contributing to Canada's &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;“&lt;a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/memory-and-identity"&gt;imagined geographies&lt;/a&gt;.”&lt;/span&gt;</text>
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                <text>This presentation album was created to commemorate a Canadian Pacific Railway investors' trip across Canada, and was published by Canadian photographic studio &lt;a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/item/3154"&gt;William Notman &amp;amp; Son&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;The album provides an example of &lt;a href="https://www.youtube.com/watch?v=ObveSq3cMkw" target="_blank" rel="noopener"&gt;albumen prints&lt;/a&gt; created using the &lt;a href="https://www.youtube.com/watch?v=hnxT4WQsLLM" target="_blank" rel="noopener"&gt;wet collodion process&lt;/a&gt;. The photographers responsible for these images would have travelled across the landscapes pictured here carrying their supply of glass plate negatives and a full darkroom, due to the necessity of preparing and developing wet plates on location. Once the photographs were printed on albumen paper, they had to be individually pasted onto each page of the album.&lt;br /&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Photographs like these ones played a role in shaping the ways that the Canadian West was imagined, and provide a good example of what photo historian Joan Schwartz calls "&lt;a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/memory-and-identity"&gt;imagined geographies&lt;/a&gt;." This album turns the spaces of Canada into an imagined place&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;—&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;and, for the specific purposes of this album&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;—&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;one that was intended to please investors in the railway.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;As you consider the kind of “imagined geographies” that these photographs both build on and contribute to, consider additional &lt;a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/memory-and-identity/1900-to-1969/souvenir-books"&gt;souvenir albums&lt;/a&gt; of the &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Western Canadian landscape included in this exhibition. &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;What arguments do these photographs make and how do they encourage us to imagine and remember these places?&amp;nbsp;&lt;br /&gt;&lt;br /&gt;This album forms part of the Prairie Roots Collection at Bruce Peel Special Collections, supported by the Prairie Roots Endowment Fund (gift of Ralph and Gay Young).&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The album also contains some surprises. Three loose photographs found among the album’s pages offer views of Mount Robson. Look closely. In each print, a man sits at an easel in the foreground, dwarfed by the size of the mountain while painting the scenery around him. Paint has also been applied to the surface of the photographs in an apparent effort to transform these documentary prints into &lt;/span&gt;&lt;a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/works-of-art/1850-to-1900"&gt;&lt;span style="font-weight: 400;"&gt;works of art&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This album featuring photographs of the Canadian Rockies, Fraser River, and Yellowstone Park is a typical &lt;/span&gt;&lt;a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/memory-and-identity/1900-to-1969/souvenir-books"&gt;souvenir album&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; that contributes to &lt;/span&gt;“&lt;a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/memory-and-identity"&gt;&lt;span style="font-weight: 400;"&gt;imagined geographies&lt;/span&gt;&lt;/a&gt;” &lt;span style="font-weight: 400;"&gt;of a place, much like the album &lt;/span&gt;&lt;em&gt;&lt;a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/item/3056"&gt;CPR 1887&lt;/a&gt;&lt;/em&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;. &lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;The album's &lt;a href="https://www.youtube.com/watch?v=ObveSq3cMkw" target="_blank" rel="noopener"&gt;albumen prints&lt;/a&gt;, &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;some of which were taken by &lt;a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/item/3154"&gt;William Notman&lt;/a&gt; &amp;amp; Son’s photographic studio&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, were assembled between 1888 and 1914, and were pasted onto the album’s pages individually.&lt;/span&gt; &lt;span style="font-weight: 400;"&gt;These photographs likely circulated in other contexts as well, in other albums or as standalone pictures.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span style="font-weight: 400;"&gt;Though these pictures are photographic and record actual spaces, the decisions that the photographers made in creating these views rely on artistic conventions for representing landscape, such as the conventions of the &lt;a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/item/3052"&gt;picturesque&lt;/a&gt; and the &lt;a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/item/3147"&gt;sublime&lt;/a&gt;. They therefore fit easily within fine art traditions. &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;As you explore additional examples of landscape photographs included in this exhibition, you will notice many more photographs with similar compositions.&amp;nbsp;&lt;/span&gt;</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Only five hundred copies of this publication were published in 1938, and each copy featured silver gelatin prints tipped in (pasted in) on individual pages. The white space around each picture emphasizes the photograph’s status as a work of art that stands on its own.&amp;nbsp;&lt;/span&gt;&lt;span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="https://www.youtube.com/watch?v=Xw5_qb71bXs" target="_blank" rel="noopener"&gt;&lt;span style="font-weight: 400;"&gt;Adams&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; was a leader in the nature conservation movement and is today among the best known landscape photographers of the twentieth century; &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Sierra Nevada: The John Muir Trail&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; provides one example of Adams’s many publications&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;. &lt;span&gt;Compare Adams’s&amp;nbsp;&lt;a href="https://www.tate.org.uk/art/art-terms/s/sublime" target="_blank" rel="noopener"&gt;sublime&lt;/a&gt; photographs of the American West to those captured almost a century earlier in&lt;/span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;span&gt;&lt;em&gt;&lt;a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/item/3147"&gt;Geological Survey of California: The Yosemite Book&lt;/a&gt;&lt;/em&gt;.&amp;nbsp;&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37079">
                <text>Valentine &amp; Sons (photographer)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37080">
                <text>[1890]&#13;
15.0 x 19.5 cm&#13;
DA 880 S6 V54 1890</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37456">
                <text>&lt;span style="font-weight: 400;"&gt;These views of Portree, Scotland, are reproduced by &lt;/span&gt;&lt;a href="https://www.moma.org/collection/terms/collotype" target="_blank" rel="noopener"&gt;collotype&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;, a &lt;/span&gt;&lt;a href="https://psap.library.illinois.edu/collection-id-guide/photomechanical" target="_blank" rel="noopener"&gt;photomechanical process&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;developed in the mid-nineteenth century that allowed photographic negatives to be printed with ink on paper. &lt;/span&gt;Collotypes&lt;span style="font-weight: 400;"&gt;&lt;span style="font-weight: 400;"&gt; provided a way to print photographs within the pages of books alongside text, instead of pasting in individual photographs, but it was a laborious and expensive process.&lt;br /&gt;&lt;br /&gt;The photographs collected in &lt;i&gt;Views of Portree &lt;/i&gt;provide a souvenir of this place and contribute to the “&lt;a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/memory-and-identity"&gt;imagined geographies&lt;/a&gt;” of Portree&lt;/span&gt;&lt;/span&gt;—much like the album &lt;a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/item/3056"&gt;&lt;i&gt;CPR 1887&lt;/i&gt;&lt;/a&gt; contributes to the imagined geography of Canada. Notice, too, the similarities between these views of Portree and &lt;a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/item/3052"&gt;Gilpin’s picturesque drawings&lt;/a&gt; from a century earlier.&lt;br /&gt;&lt;br /&gt;This album is one of the many &lt;a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/memory-and-identity/1900-to-1969/souvenir-books"&gt;souvenir books&lt;/a&gt; included in this exhibition.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="271">
        <name>landscape</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
