124
10
1402
-
https://omeka.library.ualberta.ca/files/original/1b7696ec5d5832b85842bb2bf27b0441.jpg
c34fb31549ac37856aa2f230d21d3b30
https://omeka.library.ualberta.ca/files/original/222f895178cd241d73039b5168592fa5.jpg
6d5dad03ca582a8661ca769effc7e4b7
https://omeka.library.ualberta.ca/files/original/e42fd3e92e53c3e15c7f04fa1b9c2f0d.jpg
4c3e7ab0b141d7a3e55c23f7a5aa2677
https://omeka.library.ualberta.ca/files/original/0b30585f2706dee958a080e3754103d5.jpg
7980851cb4239f35a3d6acf9209a27f5
https://omeka.library.ualberta.ca/files/original/218d6cbca8b327e33233872c3a4c1799.jpg
a4331cab36346dae511c24d7ed125b2b
https://omeka.library.ualberta.ca/files/original/79c642f8bcc0efd7f68a82c7acd4b749.jpg
817cf1e58bfc44dc857c7d19daacc7d1
https://omeka.library.ualberta.ca/files/original/5f8be014446c374a182bbea9b2021640.jpg
415c720efa4702b42c0114f486fd4ba3
https://omeka.library.ualberta.ca/files/original/ee5f9525e622a771990f0932b9dde7b6.jpg
3a3590dd9238f6e1a2b59880cb9e9f9f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Photographies
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Fight against Apartheid!
Date
A point or period of time associated with an event in the lifecycle of the resource
1969
29.5 x 41 cm
DT 763.6 A25 1969 folio
Description
An account of the resource
<p><i><span style="font-weight: 400;">The Fight against Apartheid! </span></i><span style="font-weight: 400;">is, as its cover explains, “an </span><span style="font-weight: 400;">album of exhibition photographs showing life under apartheid and depicting the struggle of the South African people for their liberation under the banner of the African National Congress.” The photographs gathered here call </span><span style="font-weight: 400;">attention to the role of <a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/circulate-knowledge/1900-to-1969">documentary photography</a> in political activism, and are related to the tradition of </span><span style="font-weight: 400;">social documentary photographs</span> <span style="font-weight: 400;">published in twentieth-century magazines like </span><a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/item/3045"><i><span style="font-weight: 400;">Life</span></i></a><span style="font-weight: 400;">.</span><span style="font-weight: 400;"> At the time of this album’s publication, apartheid was still a reality in South Africa, and the fight referenced in the title was an urgent one. <br /><br />These photographs provide one example of photography's </span>potential to prompt action by establishing a “<a href="https://vimeo.com/25369128" target="_blank" rel="noopener">civil contract</a>” (Azoulay) between the people photographed and the viewer. However, given that <span style="font-weight: 400;">apartheid in South Africa continued well beyond the publication of these photographs, the album also points toward </span><span style="font-weight: 400;">the limitations of documentary photography</span><span style="font-weight: 400;">. </span></p>
<span style="font-weight: 400;">A related photograph, taken in 1976, is Sam Nzima’s “</span><a href="http://100photos.time.com/photos/sam-nzima-soweto-uprising" target="_blank" rel="noopener"><span style="font-weight: 400;">Soweto Uprising</span></a><span style="font-weight: 400;">,” which is sometimes credited with bringing international attention to apartheid. To learn more about apartheid in South Africa, visit</span><a href="https://www.sahistory.org.za/article/history-apartheid-south-africa" target="_blank" rel="noopener"><span style="font-weight: 400;"> South African History Online</span></a><span style="font-weight: 400;">. </span>
Creator
An entity primarily responsible for making the resource
African National Congress (author)
photographers unknown
photojournalism
-
https://omeka.library.ualberta.ca/files/original/92f110eaff4f02d8c7330f05d34efee5.jpg
5897da8f053a59bab020a90c3384ae61
https://omeka.library.ualberta.ca/files/original/66daef7ae853183f07dcd1670938a787.jpg
12a648a94ac0e24bdd8ec7f788e89981
https://omeka.library.ualberta.ca/files/original/c302a4ce8b2fd1efa6355d162a70b415.jpg
5068644b1afa094f008ca6d71d82c736
https://omeka.library.ualberta.ca/files/original/ef714340008664db4e2dcd6f2820f4e9.jpg
730d440d80aec601eb7de6ea0bb53003
https://omeka.library.ualberta.ca/files/original/83ccba8c07c3173c1913b654956e3f2b.jpg
a27f5cd4a7740cf133fc405d3a7f6c3a
https://omeka.library.ualberta.ca/files/original/5c76b34f6e66f831fac49791b5e7e4a0.jpg
7a5fbfc25ae6405cd4f73c1b2d58fc9a
https://omeka.library.ualberta.ca/files/original/0cdfe09fc521362b91a37a4ee86dcf57.jpg
2333e981948fe885b172a4665da9ae96
https://omeka.library.ualberta.ca/files/original/f58c3c0dc27c32028d25bd6ee72e0b7c.jpg
7fa25112ecd94d6048d4d675114e9f66
https://omeka.library.ualberta.ca/files/original/954d0f461e0c6790f24b9816b4d60f80.jpg
f5c2e3d87b9530139c9f0a476caaa3d8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Photographies
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ethnographic Photographs
Creator
An entity primarily responsible for making the resource
Karel Plicka (photographer)
Date
A point or period of time associated with an event in the lifecycle of the resource
[1900]
42.0 x 34.0 cm
GT 820 C95 P72
Description
An account of the resource
<span style="font-weight: 400;">This album of photographs by Czech photographer, filmmaker, and ethnographer Karel Plicka offers a portrait of the people of Czechoslovakia in twenty pictures. <br /><br />The impulse to document a culture through photographs is related to other anthropological and <a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/circulate-knowledge/1900-to-1969">documentary practices</a> of the early-twentieth century, such as German photographer </span><span style="font-weight: 400;">August Sander’s </span><a href="https://www.getty.edu/art/exhibitions/sander/" target="_blank" rel="noopener"><i><span style="font-weight: 400;">People of the Twentieth Century</span></i></a><span style="font-weight: 400;"> and American photographer </span><span style="font-weight: 400;">Edward Curtis’s </span><a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/item/3155"><i><span style="font-weight: 400;">The North American Indian</span></i></a><span style="font-weight: 400;">. Each of these photographic projects aim to circulate knowledge about the people and cultures they represent, yet they do so through the dominant artistic styles and ideologies of their time. Here, Plicka views the people of Czechoslovakia through a </span><a href="https://archive.artic.edu/stieglitz/pictorialism/" target="_blank" rel="noopener">Pictorialist</a><span style="font-weight: 400;"> lens.<br /></span>
-
https://omeka.library.ualberta.ca/files/original/8d1bb37f4a6f8f98799b6755c8196531.jpeg
9effa26728747d74bd13c86a9ea8cc23
https://omeka.library.ualberta.ca/files/original/7363545b9372ddf8d11a12819a9231cf.jpg
406150740097bd775ac448dd25f30be3
https://omeka.library.ualberta.ca/files/original/3e39564183782299b443cb3d1fa8883a.jpg
711b630d98307c73b640fcab532e941c
https://omeka.library.ualberta.ca/files/original/5f55f98a6088a28ef44b44ff54107dd6.jpg
6c45bed2534ac1283fb10d094aca868d
https://omeka.library.ualberta.ca/files/original/f445e15aefa4bfeb7345fb8ae716b751.jpg
e99723699ef1c745ef2749571130cbaf
https://omeka.library.ualberta.ca/files/original/21c271ecb848f027bf1f2a17f8f43e92.jpg
9a72141da953699f459f870ce904d839
https://omeka.library.ualberta.ca/files/original/b587f1fd258a3b9ec8f7db9cb7c38ca7.jpg
df8a16da3aaec6d51ec32a4727d10167
https://omeka.library.ualberta.ca/files/original/8cd1250823aa3b6ae090bcf3c70134ec.jpg
f7629275c97bc480df344e878129e7ea
https://omeka.library.ualberta.ca/files/original/f1cfd3badf7f00d19c546797aca7e6a5.jpg
03eb919b2ad69aa49d35dcaad95e3a67
https://omeka.library.ualberta.ca/files/original/0a35c8d5a25c535a093bfdfb704f5e5e.jpg
fb43764bcbf018739ee053dc3cd74ef7
https://omeka.library.ualberta.ca/files/original/c0f03f005a3aff0629682b382beb531e.jpg
b9d35f13bf92fee4a5fa1b8a5ff9082f
https://omeka.library.ualberta.ca/files/original/2d3993e516c043a683a0a63a9147c1fc.jpg
c28daeea114a1940d7487c4ad5a969cd
https://omeka.library.ualberta.ca/files/original/c5f8cc551453561e13d5fb0719e0be67.jpg
031961cdee6f8e3ca90a322bed146dae
https://omeka.library.ualberta.ca/files/original/035c3436ae69333cdfe6efb8feef7964.jpg
1be0bb7bc39e06fdddecba37d750a71a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Photographies
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sandow's System of Physical Training
Creator
An entity primarily responsible for making the resource
Eugen Sandow (author)
Sarony (photographer)
Date
A point or period of time associated with an event in the lifecycle of the resource
1894
22.0 x 15.6 cm
GV 333 S2 1894b
Description
An account of the resource
<p><span style="font-weight: 400;">Victorian bodybuilder <a href="https://www.nhm.ac.uk/discover/eugen-sandow-a-body-worth-immortalising.html" target="_blank" rel="noopener">Eugen Sandow</a>’s guide to physical training provides an example of the ways in which photographs could be used in how-to manuals. To consider the advantages of photography for this purpose, compare this volume to </span><a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/item/3034"><i><span style="font-weight: 400;">The Art of Swimming</span></i></a><span style="font-weight: 400;"> from 1764.</span></p>
<p><span style="font-weight: 400;">Sandow’s guide is richly illustrated with photographs, reproduced by the </span><a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/item/3044">halftone process</a><span style="font-weight: 400;"> and supplemented</span> <span style="font-weight: 400;">with engravings that contribute additional meanings. For example, notice how the two different media on pages 28 and 29 complement each other by making an implicit connection between the idealized nudes of classical sculpture and Sandow’s living<strong> </strong>body, with Sandow’s active body clearly superseding the inert stones portrayed in the engraving. These connections continue throughout the book, with Sandow striking poses borrowed from classical sculpture. <i> </i></span></p>
<p><span style="font-weight: 400;">The photographs of Sandow’s body also call attention to a persistent problem with the nude in photography. While nude figures were welcome in painted representations hanging on the walls of art galleries, representing the nude in photography—in all its <a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/what-is-photography">indexical</a> glory—was another story altogether. <br /><br />A full scan of Sandow's guide is available through the <a href="https://archive.org/details/sandowgetsphysicl00sanduoft/page/n1/mode/2up" target="_blank" rel="noopener">Internet Archive</a>.</span></p>
-
https://omeka.library.ualberta.ca/files/original/c7f7425fcfd3954e332137ec87d1bb09.jpg
7c3f4acfc3e809a54440b2df17b0c3b6
https://omeka.library.ualberta.ca/files/original/7a94366a58429a933d05e2662b2679fe.jpg
23c3119207f23bd5c6a10500ae8b8e73
https://omeka.library.ualberta.ca/files/original/4de2f1dc86772a075d06770e890cbe36.jpg
51ce992b30d84db791bba478e3e35e56
https://omeka.library.ualberta.ca/files/original/8fa1a379af46169d158d3274b1c0ff59.jpg
0b45973fde09b9decaee3ef8677d596e
https://omeka.library.ualberta.ca/files/original/34b34728bc2504c3540fd59fa95e730a.jpg
7a806f88c3af16764eb4615ea35792db
https://omeka.library.ualberta.ca/files/original/0eace1a38afec46e5bd8e6081802670e.jpg
0e935660bc5a548db85b87b2db571cc2
https://omeka.library.ualberta.ca/files/original/3ee5d1f054147e912473db3b8d296620.jpg
1fd3acb8904978bc08d23b7e9127182e
https://omeka.library.ualberta.ca/files/original/713f4b1ae1fe7fdaf7d29667b445def4.jpg
bcbdb180b0728aa6cd1295a7b5c3f876
https://omeka.library.ualberta.ca/files/original/089546dc2cd1468cb2a2fb7c2fefd124.jpg
78b5e9658adf913dbb67e182c24e27bf
https://omeka.library.ualberta.ca/files/original/475a84b3c70c43637be66318e59839f9.jpg
3b3909ba701f10203551cf7b5147a964
https://omeka.library.ualberta.ca/files/original/b414e16f66808ec98440dc6882abefcf.jpg
396a853e9d334b4c6785d8a656ab6686
https://omeka.library.ualberta.ca/files/original/0411cb6cf0e55899da5c914548780783.jpg
c07d33c44fad7137c01369cfc64e97b2
https://omeka.library.ualberta.ca/files/original/787378520ef25b9b1a06d087edb99a0e.jpg
9f024e5532367d7ff01424f47b88826e
https://omeka.library.ualberta.ca/files/original/c83df32bfd4b56aa06f873bb7018cf57.jpg
61c261ee6b492079978585195c28e622
https://omeka.library.ualberta.ca/files/original/da0cea3a65c14cdb119e818504e1bc51.jpg
d9dd8cda26b39262313f4d3ef93b9119
https://omeka.library.ualberta.ca/files/original/7a28ec32386560ef641e7c2aeef499bc.jpg
291b9898640ab4b0bb2f8288af84f99c
https://omeka.library.ualberta.ca/files/original/61fd3541c05bb9a1d313ff35208e284e.jpg
b600dfe64cd0dc4816677445088c9681
https://omeka.library.ualberta.ca/files/original/6d046fcc1ab80e2ee76533661bd4ccbb.jpg
1e6cd2d72a9eef6419715f3f6acee1e0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Photographies
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Spiderland
Creator
An entity primarily responsible for making the resource
R. A. Ellis (author and photographer)
Date
A point or period of time associated with an event in the lifecycle of the resource
1912
19.0 x 12.1 cm
QL 451 E65 S65 1912
Description
An account of the resource
<p><span style="font-weight: 400;">R. A. Ellis explains that “the scarcity of books on the subject of spider life is my excuse for assuming the role of guide into ‘Spiderland.’ The fruit of personal observation and reading is set forth, in as graphic a form as I could command, by pen and camera” (v). As promised, the book offers a wide variety of illustrations, some of which are photographic. This mix of media calls attention to the relative advantages of different forms of image-making. <br /><br />A full scan of <em>Spiderland,</em> part of the <a href="https://bpsc.library.ualberta.ca/collections/dr-ronald-b-madge-entomology-collection" target="_blank" rel="noopener">Dr Ronald B. Madge Entomology Collection</a></span><span style="font-weight: 400;"> housed in Bruce Peel Special Collections, is available through the <a href="https://archive.org/details/b28104687" target="_blank" rel="noopener">Internet Archive</a>.<br /></span></p>
-
https://omeka.library.ualberta.ca/files/original/6bf1359d7c9831f79df9dfaab506088d.jpg
c4bc17dc8184b0dc446f0f0985f2a4f2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Photographies
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slide
Description
An account of the resource
<p><a href="https://www.whyte.org/illuminatinglanternslides" target="_blank" rel="noopener"><span style="font-weight: 400;">Lantern slides</span></a><span style="font-weight: 400;">, which allowed the image on a glass plate to be projected with light onto a wall or screen, represent one way that knowledge circulated through photographs. Though lantern slides with painted imagery have a long history that predates the discovery of photography, travelling lectures based on photographic lantern slides became increasingly commonplace in the nineteenth and early-twentieth century. Lantern slides would eventually be supplanted by </span><a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/item/3159"><span style="font-weight: 400;">film slides</span></a><span style="font-weight: 400;">.</span></p>
<p><span style="font-weight: 400;">This hand-coloured slide is made from a photograph taken by Western Canadian journalist Miriam Green Ellis. The cracks that mark the surface of the glass plate call attention to the fragility of lantern slides. Bruce Peel Special Collections houses the Miriam Green Ellis archive, which is featured in the online exhibition </span><a href="https://omeka.library.ualberta.ca/exhibits/show/ellis/intro" target="_blank" rel="noopener"><i><span style="font-weight: 400;">Miriam Green Ellis: Western Canadian Journalist</span></i></a><span style="font-weight: 400;">.</span></p>
Creator
An entity primarily responsible for making the resource
Miriam Green Ellis (photographer)
Date
A point or period of time associated with an event in the lifecycle of the resource
undated
4.6 x 7.0 cm
in cataloguing queue
-
https://omeka.library.ualberta.ca/files/original/b586ef79735629f21a55a6d3856a3fcb.jpeg
33f60cf046bf53ed23b3e32e324d4966
https://omeka.library.ualberta.ca/files/original/0ac0c1fcdc562706d110998c375c0cf8.jpg
c981e6cebdfd715307999a5d2d74d2d4
https://omeka.library.ualberta.ca/files/original/83c6f3b27c8bd963ca7f04a689ae265a.jpeg
f8bfbf8413c9a205abf556bd824344ce
https://omeka.library.ualberta.ca/files/original/4ea1825c5689864cebd01d0d802c42d1.jpg
4e6a5e3b0b899041a4f2f5dbebb6c70f
https://omeka.library.ualberta.ca/files/original/d19ccf95569b0adee25152c619df747b.jpeg
570fab8c316d985816e73fa327419463
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Photographies
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Every Building on the Sunset Strip
Creator
An entity primarily responsible for making the resource
Ed Ruscha (artist)
Date
A point or period of time associated with an event in the lifecycle of the resource
1967
18.5 x 14.5 cm (folds out to 18.5 x 755.0 cm)
N 7433.4 R95 A6 T54 1967
Description
An account of the resource
<p><span style="font-weight: 400;">This artists' book was created by American artist <a href="https://youtu.be/0xboX5cvIzw" target="_blank" rel="noopener">Ed Ruscha</a>. During the 1960s and 1970s, Ruscha created a series of photographic books featuring banal subject matter such as interstate gas stations, empty swimming pools, and vacant parking lots. Informed by the principles of</span> <a href="https://www.metmuseum.org/toah/hd/cncp/hd_cncp.htm" target="_blank" rel="noopener">conceptual art</a><span style="font-weight: 400;">, which privileged ideas over aesthetics, Ruscha’s work points towards photographs' ubiquity within twentieth-century visual culture as carriers of information rather than as aesthetic objects. By taking banal informational images and inserting them into contexts such as the art gallery and the art book, Ruscha prompts us to consider how such photographs can become art. With its repetitive structure and mundane subject matter, <em>Every Building on the Sunset Strip</em> is closely related to the NE Thing Co's <em><a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/item/3140">Portfolio of Piles</a>.</em><br /><br />Bruce Peel Special Collections houses six of Ruscha's photographic books including <a href="https://artmuseum.princeton.edu/collections/objects/13606" target="_blank" rel="noopener"><em>Every Building on the Sunset Strip</em></a> (featured here), <a href="https://www.artgallery.nsw.gov.au/collection/works/187.2015.a-ii/" target="_blank" rel="noopener"><em>A Few Palm Trees</em></a>, <a href="https://www.artgallery.nsw.gov.au/collection/works/430.2008.a-ii/" target="_blank" rel="noopener"><em>Thirtyfour Parking Lots in Los Angeles</em></a>, and <em><a href="https://www.artgallery.nsw.gov.au/collection/works/433.2008.a-bb/" target="_blank" rel="noopener">Real Estate Opportunities</a>.</em> <br /><br /><br /></span></p>
-
https://omeka.library.ualberta.ca/files/original/57fa89719aed6f13944985848d4dcc30.jpg
47d11c859979c8226c41c49a4113ae98
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
[Three Students]
Source
A related resource from which the described resource is derived
University of Alberta Archives
UAA-1969-019-1538
Rights
Information about rights held in and over the resource
Copyrights belong to University of Alberta Students' Union. Permission given for use in this exhibit.
Date
A point or period of time associated with an event in the lifecycle of the resource
[195-]
Creator
An entity primarily responsible for making the resource
University of Alberta Students' Union
-
https://omeka.library.ualberta.ca/files/original/9c995352d9176426b79ee64018062575.jpg
9392cd3a5d04b8f48d58b2058c4872f3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Library staff on the steps of New Rutherford Library, 1951
Source
A related resource from which the described resource is derived
University of Alberta Archives
UAA-1990-036-003
Date
A point or period of time associated with an event in the lifecycle of the resource
1951
Rights
Information about rights held in and over the resource
Copyrights belong to University of Alberta Libraries
Creator
An entity primarily responsible for making the resource
University of Alberta Libraries
-
https://omeka.library.ualberta.ca/files/original/9fea7c2f2a59ac1485f4087c0844689f.jpg
21358ebfbd4f4ada28d7a78c5729842f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Latin Class, 1953
Source
A related resource from which the described resource is derived
University of Alberta Archives
UAA-1983-076-255-017
Date
A point or period of time associated with an event in the lifecycle of the resource
1953
Rights
Information about rights held in and over the resource
Copyrights belong to University of Alberta Faculty of Pharmacy and Pharmaceutical Science.
Creator
An entity primarily responsible for making the resource
University of Alberta Faculty of Pharmacy and Pharmaceutical Science
-
https://omeka.library.ualberta.ca/files/original/0876c9edb1775b94cf4ecf7921623b3c.jpg
4e778b5c4c421a33bad4cce4256a3b7f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Pharmacy demonstration of Laboratory equipment to new class, 1952
Source
A related resource from which the described resource is derived
University of Alberta Archives
UAA-1983-076-228
Date
A point or period of time associated with an event in the lifecycle of the resource
1952
Rights
Information about rights held in and over the resource
University of Alberta Faculty of Pharmacy and Pharmaceutical Sciences