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                <text>Photomontages</text>
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                <text>John Heartfield (artist)</text>
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                <text>1974 reprints of 1931-34 and 1938 originals&#13;
64.0 x 48.0 cm&#13;
TR 685 H42 1974 folio</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;These reprints of John Heartfield’s &lt;/span&gt;&lt;a href="https://www.tate.org.uk/art/art-terms/p/photomontage" target="_blank" rel="noopener"&gt;photomontages&lt;/a&gt; &lt;span style="font-weight: 400;"&gt;show one way that photographs circulated political knowledge. Heartfield reused and remixed images printed in the German mainstream media in order to expose and critique Nazi propaganda. One example of this kind of print media can be found in &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;a &lt;a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/item/3142"&gt;cigarette album&lt;/a&gt;&lt;/span&gt;&amp;nbsp;that celebrates Adolf Hitler’s life.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Some of &lt;a href="https://www.getty.edu/art/exhibitions/heartfield/" target="_blank" rel="noopener"&gt;&lt;span style="font-weight: 400;"&gt;Heartfield’s &lt;/span&gt;photomontages&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; were published in the left-wing workers’ magazine &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Arbeiter Illustrierte Zeitung &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;(Workers Illustrated Newspaper, also known as &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;AIZ&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;) and some were reprinted and disseminated as posters. We can get a sense of the power that these photomontages may have held for contemporary viewers from Walter Benjamin's comment in his 1934 essay, "&lt;a href="https://www.marxists.org/reference/archive/benjamin/1970/author-producer.htm" target="_blank" rel="noopener"&gt;The Author as Producer&lt;/a&gt;," that Heartfield's "&lt;span&gt;technique made book jackets into a political instrument."&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The prints housed in Bruce Peel Special Collections were reprinted in 1974 as collectors' items. Today, the photomontages are most often viewed as works of art, and Heartfield is often described as a &lt;a href="https://www.tate.org.uk/art/art-terms/d/dada" target="_blank" rel="noopener"&gt;Dada&lt;/a&gt; artist. Another artist who took a similar approach by using printed media to critique mainstream culture was &lt;a href="https://www.youtube.com/watch?v=9E1cA3j_xY8" target="_blank" rel="noopener"&gt;Hannah Höch&lt;/a&gt;.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Anatomy of a Whitefish</text>
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                <text>John J. Brice (author)&#13;
Jeff Papineau (photographer)</text>
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                <text>&lt;em&gt;A Manual of Fish-Culture, Based on the Methods of the United States Commission of Fish and Fisheries&lt;/em&gt;</text>
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Jeff Papineau (photographer)</text>
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Jeff Papineau (photographer)</text>
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