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Dublin Core
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Title
A name given to the resource
D3
Description
An account of the resource
An image of the interior of <em>Invectives contre la secte de vauderie</em> by Johannes Tinctor, housed at Bruce Peel Special Collections (BF 1565 T587 1465)
Creator
An entity primarily responsible for making the resource
Papineau, Jeff (photographer)
-
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Dublin Core
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Title
A name given to the resource
D4
Description
An account of the resource
An image of the interior of <em>Invectives contre la secte de vauderie</em> by Johannes Tinctor, housed at Bruce Peel Special Collections (BF 1565 T587 1465)
Creator
An entity primarily responsible for making the resource
Papineau, Jeff (photographer)
-
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Dublin Core
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Title
A name given to the resource
Photographies
Dublin Core
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Title
A name given to the resource
Daguerreotype of Mrs Morrow
Date
A point or period of time associated with an event in the lifecycle of the resource
[1850]
9.0 x 8.0 x 1.4 cm
in cataloguing queue
Description
An account of the resource
<p><span style="font-weight: 400;">This portrait of Mrs Morrow provides an example of one of the first successful photographic technologies: the </span><a href="https://blog.scienceandmediamuseum.org.uk/find-out-when-a-photo-was-taken-identify-daguerreotype-photography/" target="_blank" rel="noopener">daguerreotype</a><span style="font-weight: 400;">. The </span><a href="https://www.youtube.com/watch?v=hPkJicTLonA&list=PLH_FfjHEuvR5U0Ur8rB35fezQ1yZkShMk&index=3" target="_blank" rel="noopener">daguerreotype process</a><span style="font-weight: 400;"> created a single positive image on a metal plate</span>—meaning that there was <span style="font-weight: 400;">no negative and no possibility for further reproduction. A </span>daguerreotype<span style="font-weight: 400;"> is a unique and precious material object, and therefore quite different from the technologies of photography that we know today. </span></p>
<p><span style="font-weight: 400;">Daguerreotype exposures took a long time, with the precise amount of time depending on the available light. Sitting for a photograph was an arduous process, as the <a href="https://artgallery.yale.edu/collections/objects/55519" target="_blank" rel="noopener">French caricaturist Honoré Daumier has shown</a>, </span><span style="font-weight: 400;">which is why it is rare to find smiling faces in early photographs. </span></p>
<p><span style="font-weight: 400;">A print published in December 1839 in Paris entitled “<a href="https://www.getty.edu/art/collection/objects/46529/theodore-maurisset-la-daguerreotypomanie-daguerreotypomania-french-december-1839/" target="_blank" rel="noopener">La Daguerreotypomanie</a>” (Daguerreotypomania)</span><span style="font-weight: 400;"> dramatizes the excitement that ensued following the announcement of Louis-Jacques-Mandé Daguerre and his partner Nicéphore Niépce’s discovery. The artist, Théodore Maurisset, visualizes streams of people lining up to get their portraits taken. The excitement surrounding the daguerreotype stemmed at least in part from its accessibility in comparison to painted portraits. </span></p>
<p><span style="font-weight: 400;">Mrs Morrow might never have expected to have her portrait painted in her lifetime. We do not know who she was, but that her likeness survives into the present offers proof that her identity was important to someone, and worth preserving. To consider how the possibility of creating photographic portraits shaped memory and identity, compare this </span>portrait<span style="font-weight: 400;"> of Mrs Morrow to </span>chromolithographic portraits<span style="font-weight: 400;"> of the <a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/item/3032">Emperor and Princess of Prussia</a>, published in 1855.</span></p>
<span style="font-weight: 400;">Another photographic process was developed around the same time as the </span>daguerreotype<span style="font-weight: 400;"> by <a href="https://www.sfmoma.org/watch/sun-pictures-henry-fox-talbot-and-first-photographs/" target="_blank" rel="noopener">William Henry Fox Talbot</a> in Britain. The </span><a href="https://www.youtube.com/watch?v=v2zXypdzB8A&list=PLH_FfjHEuvR5U0Ur8rB35fezQ1yZkShMk&index=3" target="_blank" rel="noopener">calotype</a><span style="font-weight: 400;"> did produce a </span><a href="https://kodakdigitizing.com/blogs/news/history-of-negative-photography" target="_blank" rel="noopener">negative</a><span style="font-weight: 400;">, and therefore had the potential to create endless copies, but the resulting image was not as clear as that of the </span>daguerreotype<span style="font-weight: 400;">. To compare the </span>daguerreotype<span style="font-weight: 400;"> to the </span>calotype<span style="font-weight: 400;">, consider Mrs Morrow’s portrait side by side with the work of Scottish photographers <a href="https://www.nationalgalleries.org/art-and-artists/features/hill-adamson" target="_blank" rel="noopener">David Octavius Hill and Robert Adamson</a>. </span>
Creator
An entity primarily responsible for making the resource
photographer unknown
portrait
-
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Dublin Core
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Title
A name given to the resource
Honorary Degree Books
Dublin Core
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Title
A name given to the resource
Dancing on Top of the World by Nancy Desjarlais
Description
An account of the resource
Acquired in honour of Bert Crowfoot
Creator
An entity primarily responsible for making the resource
Jeff Papineau (photographer)
-
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Dublin Core
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Title
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Dangers Lurk Behind Elsje
Description
An account of the resource
This page shows young Elsje exploring the ocean in her new piscine form, naively unaware of the dangers that await her in the background.
Creator
An entity primarily responsible for making the resource
Justin Hanisch (photographer)
Source
A related resource from which the described resource is derived
Elsje bij de Visschen: een Sprookje
Publisher
An entity responsible for making the resource available
Gebr. van der Post
Date
A point or period of time associated with an event in the lifecycle of the resource
1982
Contributor
An entity responsible for making contributions to the resource
J. A. S. Z. D. K. (author)
Format
The file format, physical medium, or dimensions of the resource
Square octavo
Language
A language of the resource
Dutch
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Utrecht (published)
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1223
Width
810
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1291
Width
1630
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1227
Width
812
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1213
Width
776
Dublin Core
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Title
A name given to the resource
Culinaria
Description
An account of the resource
Dublin Core
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Title
A name given to the resource
Das neue Nordwesten Kochbuch
Description
An account of the resource
Dedicated to the German-Canadian housewife, this book bridges the gap between immigrant families and English-speaking Canadian society. The “Deutsch–englisches Wörter-Verzeichnis” (German–English Glossary) at the end of the book may have been especially helpful for items that the housewife might wish to order from the grocer. Despite being written in German, the book has an international flavour, with Russian, Italian, and even Chinese-inspired recipes. Though bears survive in only small numbers in Europe, and had not been spotted in Germany since the 1830s (Handwerk), “Roast Leg of Bear” appears in the cookbook—perhaps a nod to the Canadian wilderness?
Creator
An entity primarily responsible for making the resource
National Publisher
Date
A point or period of time associated with an event in the lifecycle of the resource
1945
-
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Dublin Core
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Title
A name given to the resource
Honorary Degree Books
Dublin Core
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Title
A name given to the resource
Declaration of Human Rights by Lauren Emeritz
Description
An account of the resource
Acquired in recognition of Douglas Stollery
Creator
An entity primarily responsible for making the resource
Jeff Papineau (photographer)
-
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Dublin Core
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Title
A name given to the resource
Dedication Ceremony
Creator
An entity primarily responsible for making the resource
University of Alberta Students' Union
Source
A related resource from which the described resource is derived
University of Alberta Archives
UAA-1969-019-408
Date
A point or period of time associated with an event in the lifecycle of the resource
6 October, 1967
Rights
Information about rights held in and over the resource
Copyright belongs to University of Alberta Students' Union Photo directorate.
-
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Dublin Core
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Title
A name given to the resource
Der Salmen
Creator
An entity primarily responsible for making the resource
Conrad Gessner (author)
Jeff Papineau (photographer)
Source
A related resource from which the described resource is derived
<em>Fischbuch</em>
Publisher
An entity responsible for making the resource available
Christoffel Froschover, 1575
Format
The file format, physical medium, or dimensions of the resource
40 cm x 26 cm
-
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Dublin Core
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Title
A name given to the resource
Development of the Wall-Eyed Pike
Creator
An entity primarily responsible for making the resource
Whitacker Hershall et al. (authors)
Jeff Papineau (photographer)
Source
A related resource from which the described resource is derived
<em>Ninth Biennial Report of the State Board of Fish Commissioners from Dec. 1, 1888 to Oct. 1, 1890</em>
Publisher
An entity responsible for making the resource available
Robert Smith & Co., 1890
Format
The file format, physical medium, or dimensions of the resource
23.5 cm x 16.5 cm