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                <text>Elsje on the Beach</text>
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                <text>&lt;span style="font-weight: 400;"&gt;The lovely front wrapper of &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Elsje bij de Visschen&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; was protected for over 100 years by the custom dust jacket created for the book not long after it was published.&lt;/span&gt;</text>
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                <text>Justin Hanisch (photographer)</text>
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                <text>Elsje bij de Visschen: een Sprookje</text>
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                <text>Gebr. van der Post</text>
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                <text>1892</text>
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                <text>J. A. S. Z. D. K. (author)</text>
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                <text>Square octavo</text>
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                <text>Utrecht (published)</text>
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                <text>Ember Series #18 Postcard</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The twenty-eight volumes of the &lt;i&gt;Dictionnaire raisonné des sciences, des arts et des métiers, par une societé de gens de lettres&lt;/i&gt;&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;(also known as the &lt;i&gt;Encyclopédie&lt;/i&gt;&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;) &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;was originally published in Paris between 1751 and 1772. The edition of the &lt;i&gt;Encyclopédie&amp;nbsp;&lt;/i&gt;held by Bruce Peel Special Collections was published in Geneva from 1771 to 1776. &lt;br /&gt;&lt;br /&gt;As an attempt to gather together and order all of the knowledge of the world, the &lt;/span&gt;&lt;a href="https://library.wustl.edu/a-revolutionary-encyclopedia/" target="_blank" rel="noopener"&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Encyclopédie&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt; &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;is a representative &lt;/span&gt;&lt;a href="https://www.khanacademy.org/humanities/renaissance-reformation/rococo-neoclassicism/rococo/a/a-beginners-guide-to-the-age-of-enlightenment" target="_blank" rel="noopener"&gt;Enlightenment&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; project (Bull 6-9). &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;With its eleven volumes of illustrations created by copperplate &lt;/span&gt;&lt;a href="https://www.tate.org.uk/art/art-terms/e/engraving" target="_blank" rel="noopener"&gt;engravings&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;, the &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Encyclopédie &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;also provides an example of how illustrations could be reproduced and disseminated prior to the discovery of photography. The images and texts were printed in separate volumes since they required two different techniques for printing. &lt;br /&gt;&lt;br /&gt;One of the plates shown here portrays a print shop, and shows how such illustrations would have been created. The print has an&lt;/span&gt; &lt;a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/what-is-photography"&gt;indexical&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; relationship with the inked plate, but unlike a photograph, it does not hold an indexical relationship to t&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;he thing that-is-seen in the illustration.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Another plate, captioned "Optique," explains the &lt;a href="http://www.photographyhistoryfacts.com/photography-development-history/camera-obscura-history/" target="_blank" rel="noopener"&gt;principles of the camera obscura&lt;/a&gt;, an enclosed box that could project the view from the outside world into its interior. The earliest photographs were created by combining the camera obscura with light-sensitive materials that could fix the view as a stable image. Note in particular the two pictures at the bottom of the page; the picture on the left demonstrates the principles of the camera obscura, while the picture on the right portrays a portable camera obscura with an added lens. &lt;a href="https://www.youtube.com/watch?v=me5ke7agyOw&amp;amp;t=145s" target="_blank" rel="noopener"&gt;Camera obscuras&lt;/a&gt; like this one had been in use since at least the sixteenth century.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;Browse the &lt;i&gt;Encyclopédie&lt;/i&gt;'s articles and plates at the &lt;a href="https://quod.lib.umich.edu/d/did/" target="_blank" rel="noopener"&gt;Encyclopedia of Diderot &amp;amp; d'Alembert Collaborative Translation Project&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Denis Diderot (author)&#13;
Jean Le Rond d'Alembert (author)&#13;
Pierre Mouchon (author) </text>
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                <text>1771&#13;
43.0 x 26.0 cm &#13;
AE 25 E56 1771 folio</text>
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                <text>Engineer Freshmen Registration, 1942</text>
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                <text>McDermid Photography Studio copyright transferred to University of Alberta Archives.</text>
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                <text>English Landscape Gardening of the 18th and Early 19th Centuries</text>
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                <text>&lt;span style="font-weight: 400;"&gt;This large folding engraving of a fish skeleton is partially hand-coloured and is the most impressive plate in Bakker’s &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Osteographia piscium&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (1822).&lt;/span&gt;</text>
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                <text>Osteographia piscium; gadi praesertim Aeglefini, comparati cum Lampride guttato, specie rariori [and] Icones, ad illustrandam piscium osteographiam</text>
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                <text>W. van Boekeren&#13;
&#13;
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                <text>Gerbrandi Bakker (author)</text>
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                <text>2 Volumes: text and atlas&#13;
Text: Octavo&#13;
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                <text>An ad found in the November 12, 1928 issue of the University of Alberta student newspaper, The Gateway. </text>
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                <text>University of Alberta Students' Union, The Gateway, March 12, 1928, pg. 1</text>
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                <text>University of Alberta Archives&#13;
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                <text>Copyright belongs to The Gateway.</text>
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                <text>With permission of the Students' Union.</text>
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