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&lt;p&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Life in the Antarctic&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; was published by Gowans &amp;amp; Gray as part of their series of Gowans’s Nature Books, and was intended for a general audience. A full scan of the book is available through the &lt;a href="https://archive.org/details/lifeinantarctics00bruc/page/n5/mode/2up" target="_blank" rel="noopener"&gt;Internet Archive&lt;/a&gt;, though it is missing the colourful artwork featured on the cover of the volume held by Bruce Peel Special Collections. &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;a href="https://archive.org/details/reportonscientif05scot" target="_blank" rel="noopener"&gt;Reports of the scientific results of the expedition&lt;/a&gt; were published by the Scottish Oceanographical Laboratory in multiple volumes, some of which also included photographs.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="https://artsandculture.google.com/partner/life-photo-collection?date=1956" target="_blank" rel="noopener"&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Life&lt;/span&gt;&lt;/i&gt;&lt;/a&gt; &lt;span style="font-weight: 400;"&gt;is among the most famous of the twentieth-century picture magazines, and some of the century's most &lt;a href="https://reyherphoto.com/time-life-photojournalists-iconic-photos/" target="_blank" rel="noopener"&gt;iconic photographs&lt;/a&gt; were published in its pages. This first issue of &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Life&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, from 1936,&lt;/span&gt; &lt;span style="font-weight: 400;"&gt;features a photograph by &lt;a href="https://www.icp.org/browse/archive/constituents/margaret-bourke-white?all/all/all/all/0" target="_blank" rel="noopener"&gt;Margaret Bourke-White&lt;/a&gt; on its cover. A full scan of this issue is available through the &lt;a href="https://archive.org/details/Life_Magazine_v01n01_Nov_23_1936_/mode/2up" target="_blank" rel="noopener"&gt;Internet Archive&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Picture magazines like &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Life&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; used the &lt;/span&gt;&lt;a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/item/3044"&gt;&lt;span style="font-weight: 400;"&gt;halftone process&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;, which allowed photographs to be printed efficiently alongside text. Magazines began employing photo editors to create innovative and eye-catching layouts, such as the ones seen here. To consider the changing aesthetic of photojournalism, compare &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Life&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;’s photographs and layout with the illustrated news report from 1868 on &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;the &lt;a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/item/3049"&gt;Trial of Patrick J. Whelan&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The &lt;a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/circulate-knowledge/1900-to-1969"&gt;documentary photographs&lt;/a&gt; published in &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Life &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;follow a tradition of social documentary photography that emerged in the late-nineteenth century with photographers &lt;a href="https://www.npr.org/templates/story/story.php?storyId=91981589" target="_blank" rel="noopener"&gt;Jacob Riis&lt;/a&gt; and &lt;a href="http://100photos.time.com/photos/lewis-hine-cotton-mill-worker" target="_blank" rel="noopener"&gt;Lewis Hine&lt;/a&gt;. Bourke-White took part in this tradition with her photographs documenting poverty in the American South, which were published alongside the writings of Erskine Caldwell in &lt;/span&gt;&lt;a href="https://thephotographersgallery.org.uk/whats-on/exhibition/margaret-bourke-white-you-have-seen-their-faces" target="_blank" rel="noopener"&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;You Have Seen Their Faces&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;. Around the same time that Bourke-White was photographing the American South, the American government’s &lt;a href="https://livinghistoryfarm.org/farminginthe30s/water_14.html" target="_blank" rel="noopener"&gt;Farm Security Administration&lt;/a&gt; started hiring photographers like &lt;a href="http://100photos.time.com/photos/dorothea-lange-migrant-mother" target="_blank" rel="noopener"&gt;Dorothea Lange&lt;/a&gt; and &lt;a href="https://www.nga.gov/education/teachers/lessons-activities/uncovering-america/parks-photography.html" target="_blank" rel="noopener"&gt;Gordon Parks&lt;/a&gt; to record the effects of the Depression in America.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Other examples of photojournalism included in this exhibition include&amp;nbsp;&lt;a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/item/3130"&gt;&lt;em&gt;The Changing of the Guard&lt;/em&gt;&lt;/a&gt; and&amp;nbsp;&lt;a href="https://omeka.library.ualberta.ca/exhibits/show/photograpies/item/3164"&gt;&lt;em&gt;The Fight against Apartheid!&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;span style="font-weight: 400;"&gt;Colourful tropical fish such as these from Strack’s &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Naturgeschichte in Bildern mit erläuterndem&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; [1826] were popular subjects in colour-plate books about fish.&lt;/span&gt;</text>
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