Browse Items (34 total)

This album contains a collection of portraits in the format of cartes-de-visite and cabinet cards. The carte-de-visite was introduced in the 1850s by French photographer André-Adolphe-Eugène Disdéri. Since Disdéri depended on the wet collodion…

This album of portraits features actresses, singers, and dancers, demonstrating the growing popularity of celebrity photographs. Emerging technologies and formats such as the wet collodion process and the carte-de-visite format made mass reproduction…

This portrait of a baseball player from Moose Jaw, Saskatchewan, reminds us of the continued value of professional photography in the Kodak era. This portrait came with a special frame that protected the picture when it was tucked away and folded…

A man from the Cree First Nation poses in full Sun Dance regalia at Hobbema. The geometric pattern on his vest, arms and belt is composed entirely of intricate, highly skilled beadwork.

A portrait of a Metis trader. This magic lantern slide has been hand-coloured.

This portrait of two boys playing lacrosse is both a photograph and a painting, created by applying paint to a photograph. The portrait was produced by William Notman’s studio, which had artists on staff to transform photographs like this one into…

Portrait of a young Inuit man, Alikomiak. He was arrested, along with fellow Inuit hunter Tatimagana, for the murder of four Inuit at Coronation Gulf in 1921. Alikomiak shot and killed an RCMP officer, W.A. Doak, and an employee of the Hudson's Bay…

Portrait of a young Inuit man, Alikomiak. He was arrested, along with fellow Inuit hunter Tatimagana, for the murder of four Inuit at Coronation Gulf in 1921. Alikomiak shot and killed an RCMP officer, W.A. Doak, and an employee of the Hudson's Bay…

Bishop Grouard, an Oblate missionary, at the Edmonton train station, June, 1922. He oversaw the vicariate of Athabasca-Mackenzie, and was active in the North for half a century. Bishop Grouard is credited with bringing the first printing press to…

Portraits of British Americans demonstrates some of the challenges of circulating knowledge through photographs in the mid-nineteenth century. Though these albumen prints could be mass-produced, each print had to be individually pasted onto the page…